José María Sert en el Petit Palais

José María Sert es hoy en día aún un pintor poco conocido, pero en la primera mitad del siglo XX era un artista unánimemente admirado. Pintor de grandes murales para la decoración tanto de edificios públicos como privados, trabajaba para las élites económicas y políticas del mundo, primero de España, mas tarde de París donde tenía el estudio y después del resto de Europa y América.

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Tenía encargos de millonarios como Rothschild, Rockefeller, Wendel o la princesa de Polignac y contaba entre sus amistades a Coco Chanel, Degas, Picasso, Albéniz, Stravinsky, Debussy, Cocteau y Proust. Recibía pedidos de todos los rincones del mundo para la realización de sus espectaculares obras que eran altamente remuneradas, pero después de su muerte, debido a diferentes causas incluso de índole político, fue injustamente ignorado y subestimado por la crítica y el público.

Hace ya un tiempo que la situación parece estar cambiando y un paso importante hacia su merecido reconocimiento será la exposición que se celebrará en París desde el 8 de marzo hasta el 5 de agosto próximo: J.M. Sert, Le Titan à l’oeuvre (1874-1945) en el Petit Palais – Musée des Beaux-Arts du París.

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El taller de Sert, excepcionalmente reconstituido para esta exposición, y su organización serán el hilo conductor de la muestra. Se expondrán cerca de 120 obras: paneles de tamaño monumental, bocetos, fotografías de trabajo y maquetas, que ayudarán a conocer y comprender su original y riguroso método de creación.

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Galeria Bernat hemos contribuido a la exposición prestando una obra: Sileno y Baco. Se trata de un dibujo preparatorio para la decoración del salón de baile del palacio del Marqués de Alella (1910),

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que en la muestra estará acompañado de las fotografías de los maniquíes que utilizaba como modelo para realizar muchos de los dibujos, que mas tarde con la ayuda del taller eran transportados a los grandes paneles para componer sus inmensas y complicadas obras.

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En resumen, una exposición novedosa y original para poder descubrir y conocer en detalle el proceso que seguía el creador de obras tan impresionantes como las pinturas de la Catedral de Vic o el Salón de las Crónicas del Ayuntamiento de Barcelona.

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